据纽约style file报道，尽管天气闷热，7月28号，艺术爱好者们因为SCOPE艺术博览会而聚集在汉普敦。为了为期四天的博览会，East Hampton Studios变成了来自15个国家40多家画廊艺术展示的场地。博覽會的其中一個亮點是英国南安普敦的Keszler Gallery所展出的Fame + Shame展覽，其中展示了一系列英裔美籍藝術家Russell Young的瑪利蓮夢露裝置，作品靈感源自於Andy Warhol普普藝術中大量採用的絹版印刷技法。但是东汉普敦本周最引人注目的是来自中国的艺术家钟飙，参观者走到ChinaSquare的展位都会对他新现实主义的双拼画“祖母的天空”行注目礼，这幅画以现代的形态意指了被遗忘了的中国。
Muggy weather notwithstanding, art lovers flocked to the Hamptons by the Jitney-loads this weekend to attend the SCOPE Art Fair. For four art-filled days, East Hampton Studios was transformed into a spacious arrangement of stalls featuring more than 40 galleries from 15 countries. Highlights included the Keszler Gallery (Southampton) booth, which exhibited a fabulous Marilyn Monroe installment from its current exhibition,“Fame + Shame” (the title refers to images of real celebrity mug shots), a series of Andy Warhol-inspired silk-screens by the British-American artist Russell Young. But one of the most eye-catching pieces on the East End this weekend came from Chinese artist Zhong Biao. Art goers practically gawked at his neo-realist diptych, “Grandma’s Sky,” at the ChinaSquare booth, which juxtaposes a contemporary figure with references to a forgotten China.
【编辑：霍春常】
