缪鹏飞艺术评论选摘
当东方的艺术精神与西方的抽象表现主义艺术融合一体时, 混沌的视觉经验被重新组织起来。东西方文化不断走向融合及相互呼应, 绘画艺术也发生了始料不及的创新变革──历史的联系、 东西文化横向的比较, 触动着当代艺术家的创作心灵。
艺术家缪鹏飞先生及袁之钦女士既接受中华文化的熏陶, 同时亦深受西方艺术观念的影响。 他们以独特的面貌, 把东方传统艺术与西方绘画的表现手法融为一体, 拓展了现代绘画的新视野。
- 他的学画之道, 正和常人相反, 是以笔墨淋漓的大写意为为始, 而后逐渐泛滥诸家, 临摹写生, 进而为山水大作的。 从心情来说, 他特别接近八大, 认为山人以明净、 出世之美, 可谓一尘不染, 是传统绘画中最富抽象意味的。
── 姜德博 (画家、 理论家)
- 缪鹏飞的作品体现出感情上和形式上的成熟, 这与他本人的文化背景有关, 使他成为澳门现代画的柱石之一。
── 江连浩(前贾梅士博物院院长)
- 令澳门骄傲的是, 这位艺术家逆潮流而行, 完全独立地坚持强调论理可以融入美学之中。
── 安东尼.阿达拉得 (葡萄牙艺术家、评论家)
-他在试验新形式的时候往往对历史内容作抽象的艺术处理, 直接对历史和传统进行严肃的对话。
── 曾长生 (台湾师范大学教授)
-缪鹏飞才华横溢，天资聪慧，他在不断的创作中淬炼技艺，积累学识，深入探索，不断体验。
── 马若龙 (建筑师, 澳门文化体‧现代画会主席)
The confused visual experience has been reorganized, when the oriental art spirit encountered the abstract expressionism and finally unified. In 20th century, the Oriental and Occidental Cultures progress constantly forward to way of combination also correspondence, as the result, the unexpected creation and revolution is found in art form of painting. The soul of creation of the modern artists has been touched by the historical connection, as well as the horizontal comparisons between these two cultures.
Mr. Mio Peng Fei and Mrs Un Chi Iam they were not only cultivated by Chinese culture, at the same time, they were influenced profoundly by Western art concepts. Therefore, in their works we can discover their uniqueness which isthe development of new vision in modern painting ── the combination of traditional oriental art and western painting technique.
His approach to painting, contrary to common practice, springs from free spontaneous impulses, then he would imitate and absorb gists from a wide range of sources and finally produce landscape masterpieces. Emotionally, Mio felt closer to the prominent painter of the Ching Dynasty, Ba Da Shan Ren, Whom he regarded as a spotlessly clean figure with a crystal ethereal personality.
–Jian De Fu (Painter, Theorist)
“Mio’s works indicate a high level of maturity in sense and form, which has made him one of the mainstays of Macau’s modern art. Of course, this is intricately linked with his cultural background.
–Antonio Conceicao (Director of former Camoes Museum)
Our community may well take pride in having an artist who dares to go against the trends by carrying out his belief that ideas can be put into aesthetic practice, which is very unique in the visual arts.
– Antonio Andrade (Artist and critic in Portugal)
In his experiment with new styles, he often treated historical themes with abstract artistic means. He converses directly and seriously with history and tradtion.
Pedro Tseng (Professor at the National Taiwan Normal University)
He overflows of talent and to his intelligence organizes the creativity, to technical and the cultural support of many years of study, of research, and of experiences.
- Carlos Marreiros (Architect, President of CAC)
缪鹏飞简历
一九三六 出生于中国上海
一九八二 移居澳门
学 历
毕业于福建师范学院美术系
学术/ 专业活动
自一九九二 上海大学美术学院客席教授
自一九九三 澳门理工学院教授
自一九九四 北京东方文化艺术学院客席教授、南京艺术学院客席教授
自一九九五 上海市工艺美术学校客席教授
二零零零 英国胡佛汉顿大学艺术学院任研究生作品评审，并发表演讲
奖 项
一九八五 “全澳书画联展”构图褒奖
一九八六 “第七届秋之沙龙展”，葡萄牙爱都艺术画廊，澳门旅游奖
一九九三 “第一届全澳艺术家双年展”，西画银奖
个人展览
一九八八 澳门市政厅画廊
一九九二 澳门东方基金会画廊
一九九三 澳门房子画廊 香港何氏画廊
一九九六 “水浒系列－－缪鹏飞艺术展”，澳门旅游活动中心展览厅
一九九九 “缪鹏飞作品展”，上海美术馆
二零零零 “缪鹏飞作品展”，葡萄牙玛雅巿巿政厅画廊
二零零三 “缪鹏飞近作展”，上海美术馆
二零零四 “生存状态──缪鹏飞艺术作品展”，澳门艺术博物馆
双人展览
一九八五 澳门贾梅士博物院画廊 （与袁之钦合作）
一九八六 葡萄牙里斯本纳桑尼画廊 （与马若龙合作）
一九八七 葡萄牙波尔图拉维斯展览馆 （与马若龙合作）
一九八九 澳大利亚墨尔本东西艺术画廊 （与袁之钦合作）
一九九一 比利时布鲁塞尔市政厅画廊 （与马若龙合作）
一九九二 葡萄牙阿尔曼达．尼格里奥斯画廊
葡萄牙波尔图拉维斯展览馆
中国上海美术馆
中国北京革命博物馆
（均与马若龙合作）
联 展
一九八九 “澳门当代艺术家展”，新加坡国家博物馆
“第二届亚洲联邦艺术协会展”，马来西亚国家博物馆
“澳门现代艺术九人展”，香港三联书店画廊
一九九零 “澳门现代艺术家巡回展”
葡萄牙高秉根现代艺术中心、葡萄牙波尔图拉维斯展览馆、印度新德里、印度孟买、台湾台中市立艺术馆
“澳门文化之友现代画展”，澳门市政厅画廊
一九九一 “第五届亚洲艺术家国际联盟协会展”，马来西亚国家艺术馆
“第五届亚洲艺术家国际联盟协会展”，日本
“现代画展”，香港中华文化促进中心
一九九二 “第一届国际绘画博览会”，香港
“第七届亚洲艺术家国际联盟协会展”，南韩
一九九三 “第八届亚洲艺术家国际联盟协会展”，日本
“第二届国际绘画博览会”，香港
“第一届澳门艺术家双年展”
一九九四 “第九届亚洲艺术家国际联盟协会展”，台湾“国立历史博物馆”
一九九五 “第二届澳门艺术家双年展”
“第十届亚洲艺术家国际联盟协会展”，新加坡国家博物馆
一九九六 “第十一届亚洲艺术家国际联盟协会展”，菲律宾,葡萄牙巡回展
卡明哈、塞维纳新城、里斯本
澳门陆军俱乐部，中西文化艺术研究中心
一九九七 “第三届澳门艺术双年展”，澳门
“中国艺术大展．当代油画展”，上海刘海粟美术馆
“第十二届亚细亚国际美术展”，澳门旅游活动中心展览厅
一九九八 “上海美术双年展”，上海美术馆
一九九九 “第四届澳门艺术双年展”，澳门艺术博物馆
二零零零 “新中国画大展”，上海刘海粟美术馆
“二十世纪中国油画展”，北京中国美术馆
二零零三 “上海春季沙龙”，上海光大会展中心
“画心路──七位当代艺术家展”，民政总署画廊
“第三届中国油画展”，北京中国美术馆
论 文
《立体主义与毕加索》
《应用艺术之审美》
《时代与建筑》
《澳门现代艺术》
《新东方主义》
出版物
入选《中国油画全集》、《上海美术馆藏品选集》、《二十世纪中国油画展作品集》、《精英艺术家百人集》、《新中国画大展作品集》、《中华热土》、《世界华人书画作品精选》、《江苏画刊》、《美术》、《艺术家》（台湾）、《美术界》、《美术观察》、《RC文化杂志》、《美苑》、《荣宝斋》、《艺术当代》、《艺术潮流》、《Asian Art News》等中外刊物
纪录片
一九九四 《缪鹏飞和他的新东方主义》，福建电视台制作
Mio Peng Fei
Biographical Notes
Born in Shanghai, China in 1936 Lives in Macao since 1982
Academic qualifications
Completes higher studies in Painting at the Fujian Provincial Institute (Faculty of Fine Arts).
Academic/Professional activities
From 1992 Professor (Guest) in the Shanghai College of Arts.
From 1993 Professor in the Macao Polytechnic Institute.
From 1994 Professor (Guest) in the Oriental Culture Art School at Beijing.
Professor (Guest) in the Nanjing Art School
From 1995 Professor (Guest) in the Shanghai Art Crafts School.
2000 Judge for postgraduates¡¦ work at the Art Institute of Wolverhampton University, UK and lectured.
Prizes
1985 Wins a Special Mention for composition in the exhibition of Macao Artists.
1986 Wins the Macao Tourism Prize in the 7th Autumn exhibition in the Estoril Casino Art Gallery, Portugal.
1993 Silver Prize at the 1st Biennial of Macao Artists.
1997 Golden Prize at the 3rd Biennial of Macao Artists.
1999 Silver Prize at the 4th Biennial of Macao Artists.
Solo exhibitions
1988 Leal Senado Art Gallery, Macao
1992 Orient Foundation Gallery, Macao
1993 Macao Room Gallery, Macao
Ho Gallery, Hong Kong
1996 All Men Are Brothers¡V Artworks of Mio Pang Fei¡¨ Tourism Activities Centre Macao
1999 Exhibition of the Works of Mio Pang Fei (Shanghai Art Museum)
2000 Exhibition of Works by Mio Pang Fei (Gallery of the City Hall of Maia, Portugal)
2003 Exhibition of Recent Works by Mio Pang Fei (Shanghai Art Museum)
2004 On Human Condition V Artworks by Mio Pang Fei¡¨ and a published accompanying album of paintings.
Joint exhibitions
1985 Luís de Camões Museum, Macao
1986 Nasoni Gallery, Lisbon, Portugal
1987 Exhibition in Oporto, Portugal
1989 East and West Art Gallery, Melbourne, Australia
1991 Brussels City Art Gallery, Belgium
1992 Almada Negreiros Gallery, Lisbon, Portugal,
Exhibition in Oporto, Portugal
Exhibition in Shanghai
Exhibition in Beijing
Group exhibitions
1989 Macao contemporary Artists¡¨ exhibition in the National Museum of Singapore.
2nd Federation of Asian Art Associations¡¨ exhibition in Kuala Lumpur, Malaysia.
9 Artists¨ exhibition in the Hong Kong Sam Lin Gallery.
1990 Traveling exhibition of Modern Artists of Macao:Calouste Gulbenkian Foundation Center of Modern Art in Lisbon, Portugal
Oporto (Portugal),Bombay(India),New Delhi (India),Exhibition in Taiwan.Macao Friends of Culture modern painting section¡¦s exhibition in the Gallery of Leal Senado in Macao.
1991 5th Federation of International Associations of Asian Artists¡¨ exhibition in the National Gallery in Kuala Lumpur, Malaysia.
5th Federation of Asian Art Associations¡¨ exhibition in Japan.
Exhibition of Modern Painting in the Chinese Cultural Center in Hong Kong.
1992 1st International Art Expo in Hong Kong.
7th Federation of Asian Art Associations¡¨ exhibition in South Korea.
1993 8th Federation of Asian Art Associations¡¨ exhibition in Japan.
2nd International Art Expo in Hong Kong.
1st Biennial of Macao Artists.
1994 9th Federation of Asian Art Associations¡¨ exhibition in Taiwan (Museum of National History).
1995 2nd Biennial of Macao Artists.
10th Federation of Asian Art Associations¡¨ exhibition in Singapore (National Museum).
1996 11th Federation of Asian Art Associations¡¨ exhibition in Philippines.
Traveling exhibition in Portugal (Centre of Studies in Eastern and Western Art and culture):Caminha, Vila Nova de Cerveira, Lisbon
Exhibition in the Military Club (Center of Studies in Eastern and Western Art and Culture).
1997 3rd Macao Biennial Invited to participate in the Exhibition of Chinese Art XModern Oil Paintings (Liu Hai Su Art Museum, Shanghai)
12th Asia International Fine Arts Exhibition (Macao Tourism Activities Centre, Exhibition Room)
1998 Invited to participate in the Shanghai Biennale (Shanghai Art Museum)
1999 4th Macao Biennial, (Macao Museum of Art)
2000 Invited to participate in the Exhibition of New Chinese Paintings (Liu Hai Su Art Museum, Shanghai)
Exhibition of 20th Century Chinese Oil Painting (China National Museum of Fine Arts, Beijing)
2003 Shanghai Spring Art Salon (Shanghai Everbright Convention and Exhibition Centre)
Painting Thought¡XSeven Contemporary Artists (Gallery of the Civic and Municipal Affairs Bureau, Macao.)
3rd China Oil Painting Exhibition (China National Museum of Fine Arts, Beijing)
Thesis
Cubism and Picasso
The Aesthetics of Applied Art
Time and Architecture
Contemporary Art of Macao
New Orientalism
Published works
Chinese Oil Paintings, Album; Selections of the Shanghai Art Museum Collection; 20th Century Chinese Oil Painting, Album; 100 Elite Artists, Album; New Chinese Paintings, Album; Chinese Hot Earth, Selection of International Chinese Paintings and Calligraphy, Album; Jiangsu Painting, Album; Fine Arts; Artists of Taiwan; Fine Arts Circle; Fine Arts Observation; R.C. Cultural Magazine; Art Garden; Rongbao Art Gallery; Contemporary Art; Art Trend; and, Asian Art News.
Included in the publications Collection of Chinese Oil Paintings, and Collection of Exhibits from the Shanghai Fine Arts Museum.
Documentaries
1994 Documentary, ¡§Mio Pang Fei and his New Orientalism¡¨ made by Fujian Television.
【编辑：贾娴静】
