策 展 人： 王 军
学术支持： 袁霆轩
视觉统筹： 赵乐娟
特邀嘉宾： 艾未未 何云昌 王庆松 俞心樵
艺术家：Kim（澳大利亚） 高雅+高娜（北京+法国） 刮子（青海）董洁（四川） 黄宽（青海） 黄文亚（湖南） 贾茜兰（重庆） 李爻（北京） 李岩（北京） 李鹤（北京） 老道（河南） 麦子（北京）马志民（河北） 泥巴（北京） 冯丽鹏（北京） 苗世明（河北） 清水惠美（日本） 祁影（北京） 佟志勇（河北） 万巧（四川） 王军（北京） 闻竹（河北） 小奶花（上海） 小日（北京） 徐典（北京） 神经中枢乐队（北京）
开幕酒会： 2009年5月1日下午2点-9点
研 讨 会： 2009年5月2日下午2点-6点
地 点： 北京草场地CCD300艺术区
接待电话： 13810846594
E-mail ： okwangjun666@163.com
协办单位（待定）： CCD300软装商务会所、第八天云南餐厅
第二届前提行为艺术节前言
第一届前提行为艺术节的诞生是偶然促成的，未成形前它仅作为一个艺术事件、一个展览的索引，后经由前卫艺术家自发组织、策划，加之圆满实施了十几位艺术家的现场作品，随即受到艺术圈内的广泛讨论及关注。
第二届前提行为艺术节作为第一届前提的延伸，历经一年的长足思考，现在正是时候起身联手共欢。我们玩儿似的生活，我们如恶徒一样创作，我们与哲人一起思考，我们如植物一般生长蔓延，盘踞大地，横越天空。这种不能言白的力量让眼前这个荒谬的世界瞬间清晰又极速破碎。
时钟指向2009，我们看到金融风暴的影响早已蔓延席卷全球，中国经济在这场风暴中显得扑朔迷离，有人认为中国的稳定和高速发展将成为世界的救主，也有人断言中国的滞后性将让中国的经济在一段时间后将遭遇同样乃至更大程度的挫折。然而这个尚无定论的未来在中国当代艺术领域的影响却已经格外引人注目：画廊撤离，机构隐匿，艺术家们面对摆满工作室的作品不知所措。
行为艺术自身具有不受颠覆的彻底性和自我性，如同一块坚硬的无法被商业进程腐蚀的石核，在这个物质即神话的时代清冽开放，成为庸常图式和已经沦为艺术市场生产工厂的艺术体制无法掌控的野性之刃，我们有理由笑得越发肆无忌惮。
我们谈论诡异的生活，这就是艺术的本源；我们怀着昨日的老旧跨过新锐的火盆进入明天的黑客帝国；我们竖起高音喇叭播放International化的重低音；我们从容面对政治成为强加的妆容渗透入骨；我们打开瓶盖撕开塑封口袋摁下PLAY键；我们一个举手推开世界之窗一个投足五天揽月。我们阅读来自各行各业各色人种的行为阐释，我们转而背弃文本，我们的作品依然在现场秘然前行，依然和你一同知会上苍，它们仍旧散发着一路随行的光芒。
这是艺术界的一场革命，是一场战争。它又看似一场游戏，用最简单、最直接，也是最唯一、最本源的、人人都可以自由支配的材料——身体，来传达艺术观念，反抗传统习俗，挑战话语权威，这个词汇不代表谁也代表不了谁，重要的是我们在表达，并且将一直延续。本次前提行为艺术节正是在这样的背景下酝酿施行。作为一个行为“节日”，它是没有地域性，不需陈旧的资历和不堪的隐情背景，不自我强调学术价值，更不牵扯任何商业目的，它是一个纯粹又真诚的，落落大方作为自己也是给世界当代艺术的礼物。
第二届前提行为艺术节由王军策划并联合CCD300软装商务会所、第八天云南餐厅等支持单位于2009年5月1日在北京草场地CCD300艺术区举办。基于策划团队和组织者的经验和思考，在艺术家以及其他艺术同仁的关心支持下，前提行为艺术节已茁壮成长。在这个社会空前复杂的现世，这次相聚将迸发出最激情的力量，我们对周身环境全方位、多角度、多层次的界定和反馈尤为值得期待。我们满怀希望，拭目以待第二届前提行为艺术节将为当代艺术世界创造怎样一个全新而独特的舞台。
【编辑：邹斌】
The 2nd QIANQI Performance Art Festival
Organizer：WangJun
Academic Support： Yuan Tingxuan
Invited guests：Ai Weiwei He Yunchang Wang Qingsong Yu Xinqiao
Artist : Kim（Australia） Gao Ya+Gao Na(Beijing + France) Gua Zi(Qinghai) Huang Kuan(Qinghai) Huang Wenya(Hunan) Jia Qianlan(Chongqing) Li Yao (Beijing) Li Yan (Beijing) Li He (Beijing) Lao Dao(Henan) Mai Zi(Beijing) Ma Zhiming(Hebei) Ni Ba(Beijing) Feng Lipeng(Beijing) Miao Shiming(Hebei) Emi Shimizu (Japan) Qi Ying(Beijing) Dong Zhiyong(Hebei) Wan Qiao(Sichuan) Wang Jun(Beijing) Wen Zhu(Hebei) Xiao Naihua(Shanghai) Xiao Ri(Beijing) Xu Dian(Beijing) The nerve center of the band (Beijing)
Opening: At 2:00. p.m -7 p.m May 1, 2009
Workshop: at 7:00 p.m. -9 p.m May 1, 2009
Venue : Bei Jing Cao Chang Di CCD300 Art Area
Contact : t 13810846594
e: okwangjun666@163.com
Sponsor : CCD300 Business Club、The Eighth day Yunnan Restaurant
The 2nd QIANQI Performance Art Festival Preface
The birth of 1st QIANQI performance art festival was occasioned. In the past, it was only an art event ,an index of an exhibition，then some avant-garde artists’ spontaneous organization and planning, moreover, dozens of artists’ works created on the scene were exhibited successfully , following it received far-ranging attentions and discussions from the art circle.
The 2nd QIANQI performance art festival is the extension of the 1st one. After a year’s far-reaching-thinking，now, it exactly the time for us to join hands, have a upbeat party. We live like playing games, create works like devil, think together with wise men, occupy the land and stretch across the sky like the spread of the plants. Such indescribable power makes this absurd world clear instantaneously but shatter rapidly.
The clock points to the year of 2009. The impact of financial storm has spread next engulfed the whole world, in this storm, China’s economy looks vague and ambiguous. Owing to its stability and rapid development, someone believes that China will be the savior of the whole world. At the same time, someone affirms that China’s economy will suffer the same or even more serious setback in future as its backwardness. However, the effect of this uncertain future which is especially noticeable in the realm of China’s contemporary art: Galleries have been removed; institutions are hiding; artists can do nothing with a whole studio’s works.
The performance art itself has the characteristic can it be immune to subvert of its thoroughness and selfhood, as a hard stein kern not being eroded by the commercial process, walks soberly and openly on its own way at the age of material (namely miracle). Like a wild blade going beyond the control of the art system which has became the stodgy iconograph and came down to the factory of art market, it’s reasonable for us to have the unscrupulous laughter even more.
We talk about the abnormal life, which is the origin of art; crossing the hot brazier with memories of yesterday enter the Matrix of tomorrow; play the international XBS BASS with a tweeter and we get used to the reality that politics has become the imposed makeup to infiltrate the bone marrow. We open the bottle, tear the plastic bag and press the PLAY key. One of us open the Window of the world with hands, one take the moon in arms with feet. We read the interpretation of act from all walks of lives and all races. Then we turn-back abandoning the text, while our works still goes on secretly at the scene, and we still believe in Heaven with you all, it will be shining all the way up.
For artistic community ，this is a revolution ,a struggle. Whereas it looks somewhat like a game, use the most simple, direct but also the unique and original material ,everyone can control freely ---- body, used to convey the art concept ,fight against the traditional custom , challenge the“say” authority. It doesn’t represent anyone and can not represent anyone, what is important is that we are expressing and we will continue to do like this. This festival is generated in such background. As a “festival” for performance art, it has no limitation on region, dated experience and worm-eaten secret background. Itself does not emphasize on the academic value, nor involves in any commercial purpose. The festival itself is pure and sincere, which is looked upon as a gift for the world of contemporary art.
The 2nd QIANQI performance art festival will be held at CCD 300 art zone of CaoChang Region Beijing on May 1st, 2009. It is planned by Wang Jun and sponsored by CCD300 flexible package commercial chamber and The Eighth Day Yunnan Restaurant. Based on the experience and consideration of planning team and organizer, together with the help and concern of the artists and art lovers, the QIANQI performance art festival has grown up sturdily. In such complex society, this party will spurt the most passionate power. What we are looking forward to is our definition and feedback toward the environment in an all-directional, multi-angle and multilevel way. With great hope, let’s see what a brand-new and unique stage the 2nd QIANQI performance art festival will bring to the world of contemporary art.
【编辑：邹斌】
