室内装置效果图
camouflage dragon indoor installation
艺术家：邱志杰
作品名称：
暴雨将至
作品类型：
行为表演、绘画、装置、录像
关于作品：
室内装置：一条中国民间节庆时舞动的龙，制作为军事迷彩颜色。一架迷彩战斗机，下装竹竿，可以与龙共舞。
两幅油画：各200x330cm，并置悬挂为长660的墙面壁画，迷彩龙和飞机悬挂在它前面。
作品描述：
动物借迷彩以自我保护和发动攻击，迷彩的诀窍是在自己的身上融入环境要素，如枯叶蝶和变色龙。作为多种动物的想象复合体，龙本身就是一种迷彩动物，一种热爱潜伏的动物。
现场表演
Performance images, the Thunderstorm is Slowly Approaching
风从虎，云从龙，龙在云层间邀游，其状曰见首不见尾，其时曰暴雨将至。忽见一喷气式战斗机飞掠而过，龙于是扭头看去，一时茫然，若有所思。
展出地点：
户外表演：
需要一个可以舞龙、背景有较大墙面的开阔地，
两张画的画面放大喷绘在灯箱布上，尺寸依据场地墙面大小而定，(如有可能，也可以发动当地居民和艺术家一起手绘在墙面上作为壁画长期保留)
舞龙队伍需穿着与迷彩龙身上迷彩颜色相同的迷彩服。
舞龙者可以来自本地居民，由艺术家及其助手加以培训。
关于越后妻有：
越后妻有是日本新潟县一个有着上千年历史的古镇。多年前，一位东京的美术教授在这里策划举办的“大地艺术展三年展”，使这个偏远的小镇逐渐受到世人关注。有着“雪国”之称的“越后妻有”地区，虽然这里距离繁华喧闹的东京不过两百多公里，但由于群山环绕、交通不便，这里几乎被现代人所遗忘，僻静的山村依然延续着有1500年历史的农耕生活。
现场表演
Performance images, the Thunderstorm is Slowly Approaching
SCAI画廊参展作品
小山登美夫画廊参展作品
暴雨将至 装置 布面丙烯 200 x 660 cm (diptych)
暴雨将至 装置 布面丙烯 200 x 660 cm (diptych)
暴雨将至 装置 布面丙烯 200 x 660 cm (diptych)
LONG MARCH SPACE application for “Fukutake House” Echigo-Tsumari Art Triennial
Artist:
QIU Zhijie
Title:
The Thunderstorm is Slowly Approaching 2007-09
Type of work:
Performance, sculptural installation and two-channel video
About the work:
The Thunderstorm is Slowly Approaching, by the artist Qiu Zhije, takes the traditional Chinese dragon dance as a starting point for investigating the pressures to hide national identity within a ‘host’ culture.
Work description:
This work involves a ten-member dragon dance team who perform outdoors (during the opening event) wearing a costume made from camouflage material. The resulting installation displays the costumes from this performance, including video documentation of the performed act. Displayed as a two-channel installation, the first video shows how the performers are trained while the second records the final performance. The interior of the venue of this work (teaching material room) would be painted in the pattern of the camouflage costume.
Details of venue for installation:
Teaching material room
16.5 square meters
3mx5.5m
Ceiling high: 3m
Components of installation:
X10 (x6 performers; x4 musicians) required to be trained as dragon dance team members (Echigo Tsumari to source)
x10 sets of camouflage costume worn by dragon dance team (artist provides)
x1 dragon costume (artist provides)
x2 LCD screens (Echigo Tsumari to source)
x2 DVD players (Echigo Tsumari to source)
Paint and necessary tools to paint interior walls of room in camouflage costume pattern (Echigo Tsumari to source)
Issues for consideration:
Qiu Zhijie would like to work with the local community in the painting of this room, which he hopes would be a permanent display – is this possible?
Qiu Zhijie would like to work with 10 volunteers for the dragon-dance team – are there people within the local community who would be appropriate and willing?
About the artist:
QIU Zhijie (b. 1969) is an artist, curator, writer and teacher whose experimental projects since the mid-1990s incorporate varied media in a visual challenge of authority and presumed social understanding. He was one of the first to engage new media activity in China, co-curating the influential exhibition ‘Post-Sense Sensibility: Alien Bodies and Delusion’ in Beijing, in 1999. Qiu Zhijie is currently Professor, Total Art Studio, China Academy of Art, Hangzhou, where he established a course focused on cultural research and concept-based practice through artistic creation, curatorial practice and teaching. Major group exhibitions include: ‘The Real Thing: Contemporary Art from China’, Tate Liverpool, UK; 2nd Yokohama Triennale, Japan; 5th Shanghai Biennale, China; and ‘Transience: Chinese Experimental Art at the End of Twentieth Century’, Smart Museum of Art, USA.
【编辑：张瑜】
