在上周开展的2009年上海艺术博览会国际当代艺术展上，威诺里萨当代艺术中心首次亮相就已经在一片艺术作品的海洋里成功掀起波澜。
此次展览有120多个参展方，多数来自亚洲，不过也零星点缀着一些欧洲画廊。威诺里萨以其展出的雕塑作品和绘画作品的多样性而格外突出。其中，著名的现实主义艺术家李贵军和“形而上学画派”艺术家何红蓓在最初的VIP展中异常受欢迎。不过，还是范晓妍的令人入迷的作品“轻而易举”首先赢得了一位非常懂行的收藏家的青睐。尽管这件作品尺寸巨大，这位收藏家仍然毫不犹豫地“抱得美人归”。
除了艺术热衷者和买家，以及兴致高昂的公众之外，熙熙攘攘的展览中心还迎来了大批对展出兴趣浓厚的媒体。对于威诺里萨的首次参展，国内外记者和摄影师都给予了特别的关注。
Success, Shanghai Style
MoCCA's debut at the bustling and prestigious ShContemporary 2009 last week was a study in how to make waves in the giant sea of contemporary art.
Standing out against a backdrop of more than 120 exhibitors---primarily from Asia but speckled with a few European gallerists as well---the MoCCA booth was easily recognized by the name and variety of its sculptures and paintings on display. Among these, works by famed realist Li Guijun and painting metaphysician He Hongbei received exceptional embrace during the early VIP showing. Nonetheless, it was the hypnotic oeuvre of Fan Xiaoyan, Effortless, that first caught the heart of one particularly knowledgeable collector, who showed no hesitation in committing to take the sculpture home despite its massive dimensions.
Besides enthusiasts, art buyers and an inspired general public, the jam-packed Exhibition Center also saw a huge turnout of interested media, with reporters and photographers both domestic and foreign making a special effort to cover MoCCA's debut presence.
【编辑：张瑜】
