桑德罗·波提切利 (1444/45-1510)，弥涅耳瓦和半人马( Minerva and the Centaur)，1480 – 1482，207 x 148厘米 注：雅典娜是希腊奥林珀斯十二主神之一， 罗马名字弥涅耳瓦(Minerva)
法兰克福讯——施塔德尔艺术馆将于2009年11月13日到2010年2月28日在德语领域举行首个关于桑德罗·波提切利(1444/45–1510)的专题展。展览把这位艺术家里程碑式的“一位女士的理想化肖像(Idealized Portrait of a Lady)”——施塔德尔艺术馆收藏到精粹之一作为展览的起点，展览在他死后的500年(死于1510年5月17日)展示了这位意大利文艺复兴时期伟大艺术大师多产期的众多作品。展览以肖像画和讽喻油画作为开始，这些作品说明了复杂的程度，波提切利 用这种复杂性来运用这个发展成熟的风格并且用新的动力丰富这种风格。第二部分由女神的神话叙述和女英雄的美德为中心，相比较而言，第三部分则主要是他大量的宗教作品为主。总共40多件波提切利的作品和他的工艺，展览展示了大范围的世界上现存的他的作品。40多件展览品，其中有同一时期的像安德烈·德尔·委罗基奥，Filippino Lippi和安东尼奥·波莱沃洛这样的艺术家的作品，展览品是人们了解在他们起源的历史背景下波提切利珍贵的创作。作品是从欧洲和美国最著名的油画收藏借展而来的。
The Stadel Museum will Show the First Monographic Exhibition on Sandro Botticelli
Sandro Botticelli (1444/45-1510), Minerva and the Centaur, 1480 - 1482, 207 x 148 cm.
FRANKFURT.- The Städel Museum will show the first monographic exhibition on Sandro Botticelli (1444/45–1510) in the German-speaking world from 13 November 2009 to 28 February 2010. Taking the artist’s monumental Idealized Portrait of a Lady, one of the Städel Museum collection’s highlights, as its starting point, the exhibition presents numerous works from all productive periods of this great master of the Renaissance in Italy about 500 years after his day of death (17 May 1510). The exhibition opens with portraits and allegorical paintings that illustrate the degree of sophistication with which Botticelli drew on this highly developed genre and enriched it with new impulses. While the second chapter centers on his famous mythological representations of goddesses and heroines of virtue, the third part is dedicated to his abundant religious oeuvre. With a total of more than forty works by Botticelli and his workshop, the show presents a comprehensive selection of his work surviving worldwide. Forty further exhibits, among them works by such contemporaries as Andrea del Verrocchio, Filippino Lippi, and Antonio del Pollaiuolo, will allow to understand Botticelli’s precious creations in the historical context of their genesis. The presentation is supported by outstanding loans from the most important collections of paintings in Europe and the United States.
【编辑：张瑜】
