“板上钉钉” 郑维个展
策展人：黄燎原
开幕时间：2010年03月20日下午16：00---18:00
展览时间：2010年03月20日至4月20日
展览地点：北京现在画廊，草场地红一号院E座
板上钉钉
郑维的作品一直围绕着“质感”展开，如果说之前对老照片的描摹是揣摩时光和有关死亡的质感，“给我一些思想”系列是追求智慧的质感，那么本次展览的新作则是对艺术作品表面质感的最大化呈现。这里的表面既包括作品媒介最终呈现出来的创作方式的表面呈现，更包括传达作品内涵的视觉效果的表面呈现。
对毕业于中央美术学院版画系的郑维，版画的制作方式和制作过程不仅是他的创作方式，更是他的创作方法论。无论是何种类型的版画，创作的过程都需要经历制作母版、印刷、调试一系列过程。在这个过程中，母版作为印刷的基础是最重要却最被忽视的因素。郑维此次展览的作品直接对木板进行再创作，使作品既具有版画的效果，又跨越了版画和油画的界限。木板雕刻呈现出的油画肌理效果，金属穿透木板获得的立体空间，拼贴与画面的若即若离形成的张力，最终使郑维的作品成为一种无法定义的作品种类，并且获得了空前复杂的视觉效果。这种效果里隐含着一种情绪的暴力，不是通过画面，而是通过制作过程的暴力，使作品获得了直接穿透人心的震撼效果。
Nails on the Board, Zheng Wei solo exhibition;
Curator: Huang Liaoyuan
Reception: Mar 20th (Sat.), 4pm—6pm
Duration: Mar 20th 2010 - Apr 20th 2010
Venue: Building E, Red Yard No.1, Cao Chang Di, Cui Ge Zhuang, Chaoyang Dist., Beijing Beijing Art Now Gallery
Zheng Wei’s works have always focused on TEXTURE, the series of old photos were all about the texture of time and death; the series of GIVE ME SOME IDEAS were pursuing the texture of wisdom, but this time Zheng Wei’s solo exhibition Nails on the Board is a show which maximized the texture of the medium of his works. The new medium Zheng Wei is using does not just show his creation finally done, but also the visual effects which can truly deeply reflect the meanings he wants to express.
Graduated from Central Academy of Fine Arts; printmaking department, Zheng Wei finds the way he creates prints is not only his art style, but also his creating theory. No matter what types of prints to be made, the process always necessarily includes master board production, printing, debugging and etc. During the whole process, master board as a basis, is the most important part, but also the easiest to be neglected. In this exhibition, Zheng Wei directly recreated on wooden board, which gives the works an effect of prints, and cross over the boundaries of prints and oil paintings. Zheng Wei’s wood carving shows the special effect of oil painting, a three dimensional space was created when the metal penetrated the wooden board; it ambiguously formed a tension between the space and the surface of the works. It certainly reached undefined types of art with very complicated visual effects. This effect implies an emotional violence, not through the images, but through the violence the art itself has to go through during the process of making art, which has won the truly shocking effect for the art works.
【编辑：张瑜】
