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性格图示与物像逃避

来源:99艺术网 2008-06-25


    杨小彦

    第一次看李华的作品时,我觉得自己并没有被其中的抽象因素所迷惑。直觉告诉我,她在如此艳丽而复杂的色彩关系中,昭示了一种回避,对那些曾经决定自己成长道路的物像世界的回避。我甚至一下子就认定,眼前这些充满回旋笔触和厚重色块的平面作品,其实是这个女性艺术家的一种有趣的性格图示。作品告诉我,她是如此深入地沉浸在个人的幻想中,以至于把童年以及成长期所热恋的个别对象转化成了无法理喻的样式,然后就嵌在眼前的作品里。

    Yang Xiaoyan

    When enjoying her works for the very first time, I did not get puzzled by the abstract elements in her works, I think. Intuitionally, I thought she revealed, with such flamboyant colors and the complicated relationship of these colors, an inclination of retreating from the world full of the images that used to decide her path of growing up. In a split second, I became quite sure that these planar works full of whirly strokes and thick pigment with strong colors are an interesting sign of the character of the woman artist. These works showed me that she had indulged in her fantasies so deeply that she transformed the single objects she was obsessed with during the period of growing up into a pattern that people could not reasonably understand and then, she put it onto the canvas in front of me.
                                                                                               【编辑:霍春常】

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