“Playing Landscape” 3.0

　　时间：2009.10.9, 17:30

　　2009.10.10, 17:30 19:00

　　2009.10.11, 17:00

　　地点：798艺术中心(706大厂房)

　　编导：蒋祯耘

　　水墨多媒体/表演者：吴少英

　　编舞/表演者：郭瑞萍

　　音乐/表演者：杨光奇、Cult_Loc

　　监制：邝华欢

　　监作：凹凸之外

　　《玩‧风景》是真人表演者与水墨多媒体录像的一场戏剧性的对话，过程中将产生一连串传统与当代艺术的撞击，形成一幅没有框架的无限幻想风景。传统的水墨绘画不再仅限勾勒于纸张之上，反而跃然于现代科技的投影幕上，看见的不再是绘画完工的结果，而是水墨流动的过程，这是第一层突破传统的当代艺术。再者，作品深入进行第二层的前卫探索，打破多媒体「影像时间」，并与「剧场空间」的丰富元素融合(如灯光、布景、服装和表演者)，赋予观者更多的感官体验。在水墨多媒体身体剧场的形式之下，希望突破传统再创新，并传达人文与科技的感性和理性，以及两者自由运用、相互交叠影响的无限可能。

　　《玩‧风景》首次于2008年11月在台北上演。当时的作品强调人的转念过程，可以在城市的钢筋水泥中体会出另类的美感。2009年4月于澳门的 2.0 版则不同于之前在正规剧场的作业方式，选定两处特色空间 : 多空间间隔的天台酒吧和儿童游泳池，并直接跳入人与风景的自由对话，运用水墨多媒体、现场音乐和即兴舞蹈主要元素，在原本的风景之上营造成熟又顽皮的氛围，堆叠出更丰富创新的风景。

　　是次《玩‧风景》3.0 版的实验组合，除原有班底澳门水墨多媒体画家吴少英、台北导演蒋祯耘及于加拿大现代舞团 La La La Human Steps 任音乐总监的澳门音乐家杨光奇外，更邀请了北京「饭剧团」参与演出，三地共同打造属于北京的《玩‧风景》3.0 版 。

　　Date：17:30, Oct.9, 2009

　　17:30 19:00, Oct.10, 2009

　　17:00, Oct.11, 2009

　　Venue：798 Art Center (706 Hall)

　　Director：Hope Chiang

　　Multi-media Water Ink/ Performer：Cindy Ng

　　Choreographer/ Performer：Candy Kuok

　　Music/Performer: Njo Kong Kei, Cult_Loc

　　Producer：Erik Kuong

　　Production：Out To

　　“Playing Landscape” is a dramatic dialogue between performers and the multi-media ink video, there will be a series of collisions between traditional and modern arts during the process, which creates a frameless imaginative landscape. Traditional ink painting will not be constrained on paper anymore, but will appear on a screen with modern technology. What we see is not the result of the painting, but the flow of the ink. This is the first layer of breaking through the tradition with modern arts. Moreover, the piece is going to dig into the second layer, breaking through the time frame in multi-media, and fuse with rich elements (like lighting, set, costume and performers) in the theatre, which provide the audience with more sensual experiences. Under the form of multi-media physical theatre with ink, we hope to break through traditions and innovate, transmit the sensitivity and rationality between human and technology, make use of the two elements freely, and the possibilities of overlapping them.

　　“Playing Landscape” was first shown in Taipei in November 2008. The piece emphasizes on the process of changing thoughts in human, in which one can feel the alternative beauty from steel and concrete in the city.

　　In April 2009 at Macau City Fringe Festival, presented version 2.1 and 2.2. The difference between the Macau version and the Taipei one is that we have chosen two special places and jump directly into the free dialogue between man and scenery. Making use of the ink multi-media, live music and improvisational dance movements as main elements, a mature and mischievous atmosphere based on the original scenery is created, stacking a rich and innovative scenery.

　　In Playing Landscape 3.0, a theatre group “Fan Troupe” from Beijing is invited to join this project to elaborate a new Beijing version.