����:������ ����:������ ����: ����:
��Ʒ����:���û�л���NO.21 ��Ʒ����:���û�л���NO.22 ˫���� ��Ʒ����: ��Ʒ����:
�ߴ�:250*175cm �ߴ�:250*80cm �ߴ�: �ߴ�:
�������:2008 �������:2008 �������: �������:

������
�������

������ 1963 ��������
����������Э���Ա
��չ��
2008 �����û�л����� ���촨��̹�˿�о������ռ�
Ⱥչ��
2008 �й�2007������������չ ����ǽ������ Ӻ��������
2007 �����׶�����ɳ����չ ���������ʹ�
     ��33���ձ�AJAC������չ �ձ�������������
     501�������ؿ�Ļչ ����501����������
     �Ϻ���������ɳ��չ �Ϻ���ó�̳�
     �Ϻ���dz����ȿ�Ļչ �����ղؾ��ֲ�
2006 ������ʮ�������������� ������չ����
     ����ŦԼ����������Ȩ������ ����ŦԼ
2005 ������������������ ������չ����
2004 ������������������ ��������̳
     �Ϻ���������ɳ�� �Ϻ���ó�̳�
2003 �Ϻ����������� �Ϻ���ó�̳�
1889 �׽��й������ͻ���Ʒչ �����ձ�


Fu Yuxiang 1963 Born in Chongqing
Member of the Chongqing Artists�� Association

Solo Exhibition
2008 [No answer from the sky] Sensation Art Space?Tank Loft Chongqing      Contemporary Art Center

Group Exhibition
2008 Exhibition of Research Literature and Works of China contemporary art 2007      Wall Art Museum, Yonghe Museum ,Beijing
2007 The Annual Exhibition of Paris Capital Art Salon Big Imperial Palace, Paris
     French
The 33rd session of Annual Exhibition of Japan AJAC Art Du Art Museum, Tokyo      Japan
      Openning Exhibition of 501 Art base 501Contemporery Art Museum, Chongqing
      Exhibition of Shanghai Spring Art Salon Shanghai World Trade Centre
      Openning Exhibition of Wu Jiao Chang Art Space, Shanghai Celebrity
      Collection Club, Shanghai
2006 The 13th session of Beijing International Art Exposition China World Trade      Center, Beijing
     New York International Art Authorization Exposition, America New York,      America
2005 Beijing International Art Exposition Beijing International Convention &      Exhibition Center
2004 Beijing International Art Exposition China Millennium Monument, Beijing
     Exhibition of Shanghai Spring Art Salon Shanghai World Trade Centre
2003 Shanghai International Art Exposition Shanghai World Trade Centre
1889 The 1st session of China Excellence Oil Painting Exhibition Beijing and      Japan

��Ʒ����
Praise for Fu Yuxiang��s Paintings

����
��Ϊһλִ�ŵ������ң�������ϲ���������ʸо���ͼ���ұȽ�ϲ������Ʒ�����ġ�������ϵ�С�����Щ��Ʒ�У����ҵ���һ������ζ����ʽ������֦�����������ͺ������ر���Ů���������������˾������ʶ�����ʫ�⡣��Щͼ�����Դ������Ļ�����������Щ��ϵ����������Ϊ��������������ұڱ�¶��ϵ���̸���ڡ�֦��Ҷï���з�ͬѰ����̬�����������������л���������ԣ�������Լ��Ļ滭��ʽ���ɼ�����ƽʱ�������ࡣ
ǰ�ԡ��ڴ����һ�ɽ2004��5��15��

As a dedicated artist, Fu Yuxiang tends to produce those images that arouse a nightmare-like sensation, among which I personally like his Wood Sprite series. He has been able to find a form of meaning among his works by refreshingly and poetically combining the shapes of tree branches and roots with the form of female bodies. The source of these images more or less has a bearing with Ficus virens in Chongqing, which as the city tree of the municipality usually exposes its complicatedly twisted roots with intercrossing branches on the verge of cliffs, thus creating unusual morphological features. Having perceived the similarity of organisms, Fu Yuxiang successfully originated his own form of painting, which also reveals the artist��s commitment to his artistic creation.
From Wang Lin��s Preface,
written at Taohua Hill, Sichuan Academy of Fine Arts,
on May 15th, 2004


Ҷ����

������Ļ������޾��������IJ�ã�У�������Ŷ��������������Ƕ��������ɵĿ�����׷�����������϶����˼�ġ�����������������ֵ����������ֵ֮�ϣ�����֮��������������ֵ�����ڴ����������̬������˼�������༴������Ʈ�ݵģ��������������ڵģ�������Ʈ�ݡ����ɼ䣬�Ծɴ����ɽ����벻��ת�����������κ͸��ˣ�����Щì�ܵ����������ѻ�Ϊ�����Ե�ʫ�ʡ����������������������������С�
���Ե�ʫ�ʡ�2004��5��12��ҹ��ɽ���һ�ɽ

 

With a vast expanse of boundless infinity, Fu Yuxiang��s paintings reveal a quiet stillness of the creatures in their own proper place, reflecting an aspiration and pursuit of ultimate freedom. The artist with his works of art shows his ��pity�� on the world of mortals and places the value of life above that of the art. In another word, the artistic value is embodied by the delivery of artist��s attitude towards life and his expectation on the world of mortals, namely, the concept that humans are elegantly free and life is untrammeled. But in between there is still presence of palpable feelings of resignation and sorrow resulted from anxieties and worries. However, such contradictory factors have now melted into ��poetic melancholy�� hidden an artistic style of lyric romance.
From Ye Yongqing��s Poetic Melancholy,
written on Peach Blossom Mountain,

��Сɽ
ͬʱ�Ҿ��ã��������ڰ��Ž׶�������ʱ���ֳ�����������Ե��൱���죬���ֳ�������ڽ�̤ʵ�ص����ҳ�Խ�ϣ�����һ�����У�û����ν�Ľ������˲�����ֻ������ʶ�����м�ʶ���ƶ�ÿһ�γ�Խ�����������軹�и���̶ȵĿռ䣬�����Ļ�����ÿһ���׶εijɹ����������ļ�֤��
��������ʹ�˺ܴ�ľ��о����͡�ɫ�ʡ��ñʡ��������Ĺ������㹻�ˣ������Ļ��������������ط��������ⷽ���ȫ���ŵ㣬�ḻ�Ժ͸�����ֻ��ij�ֽ׶ξ�����������Ѱ�Ҵ������ʽ�ͱ����Ǻ�����������һ�������߶ȣ�ȱ����������Ĺ����ƺ��������һ�룬������˵����Ӧ�ý�һ���Լ����ţ��ɹ�ȥ�����ȫ�����̡�
��һ���Լ����š�2004��9��3�����Ͼ�

 

Meanwhile, as I see it, Fu Yuxiang has demonstrated a mature capability of making an overall planning for periodic tasks. This type of maturity is manifested in a down-to-earth self-transcendence, during which process there is no such thing as so-called progress or retrogression but only a transcendence motivated by a well-informed self-consciousness. Perhaps there��s even more space for Fu Yuxiang��s artistic creation and in that case it will be witnessed by success of each stage.
Fu Yuxiang once made enhanced efforts and contributed sufficient work to the study of modeling, coloring, brushing and texture. From his works we can find a clear clue to all his strong points in this field. As richness and complexity are expression of vigorousness only at certain stage, the search of pure form and expression shall be regarded as the measurement of Fu Yuxiang��s creation at next stage. With this being absent, his work only seems half-done. Therefore, my comment would be he builds a bridge of his own and then cross over to complete the whole process.

From Li Xiaoshan��s Building A Bridge of His Own,
written in Nanjing,
on September 3rd, 2004

 

����
������Ļ�����һ���������Ļ��������ӡ����ʾ�������Ĵ����غͲ�ã��Ⱥɽ���������Ӱ�죻��Щ������Ȼ��Ұ��Ϣ��Ԫ�����������Ļ��У��������˸�����Ļ���Ļ������ԡ�ʵ���ϣ���������Ȼ��صĻ��Ҵ������ڣ���������Ļ�����Ȼ���Ҿ��죻��Ϊ�����̲���ľ��Ȼ�е�ԭʼ���������������ǿ�ң��������ڴ��ɽ���е�ʫ��֮���������Ũ����ʹ���ŵ���һ�־�Υ����Ϣ��
��Ը��DZ��2005��5���ڱ���

With a strong, vivid stamp of cultural geogrophy, Fu Yuxiang��s paintings demonstrate an influence of the vast land and rolling mountains in Sichuan on his soul; those elements with a natural touch of open fields present all over his works have constituted the basic tone of Fu Yuxiang��s own style. In fact, there��s a wide variety of painters who focus on the depiction of the great nature but the images created by Fu Yuxiang still come as a surprise to me because his feeling about life in its most primitive vitality contained in those trees and the nature is so intense and his perception of the poetic essence permeating through the vast expense of land and mountains is so overwhelming that I can even smell a long-lost connection.
From Ding Fang��s Chosen Quietness,
written in Beijing,
in May, 2005

������
�������������ر��ֳ��˵�һ������״̬����ʵ���������������Ƶı���������׼ȷ��˵�����ǡ�ϲ������ֿ�����ɡ��Ĵ��������ʵ�شﵽ���״̬���˾ͱ��밴�ա������ı�����Ŀ��ȥ��������ڽ����С������ı�����Ŀ��ָһ�ֲ�����ʶ��Ⱦ�ģ�������ʶ������ͨ��״̬��Ҳ�������Ǹ������������衶���������˵�һ����̵�˼����ʾ��

����֮Ԫ������̫����2003���ڱ���

Wood Sprite expresses in general a state of existence for human beings and represents a combination of physical life and a virtual luck tendency. But more precisely, it conveys the concept of ��purity, sincerity and freedom��. To truthfully reach this status, mankind will have to live as ��the way it is��. According to the interpretation of Zen Buddhism, ��the way it is�� refers to a state in connection with the cosmos of unconsciousness, which is not interfered by the consciousness. This is perhaps the profound enlightenment that Mr. Fu Yuxiang wants to pass on to the viewers by his works of Wood Sprite.
From Song Zhilin��s Humanity Begins with Taiji,
written in Beijing,
in 2003

������ȣ��������
�����������Ľ���Ե�ڹ۲졢����������Ȼ������Χ������֤�����������Եķ�չ����л����Ĺ�ͬ���ԣ������������������������˲�ͬ�����ij�ͻ�����ɹ��Ľ����˲�ͬ�Ļ���ֵ�ĶԻ���
��������һ�������й����������
�������ĵ���硤2004��5��13��������

 

The master pieces of Mr. Fu Yuxiang, a witness of the perceptible development of new art, are based on a shrewd observation, profound perception and a natural incorporation into the nature and social atmosphere. Thanks to art, the common language of mankind, Mr. Fu Yuxiang has brought different cultural conflicts into harmony and successfully conducted dialogues between different cultural values.
Mr. Fu, a breath of fresh air from Chinese art.
From Margarita(Italy)��s A Breath of Fresh Air from Mind and Soul
written in Yunnan

on May 13th, 2004

������ҳ�鿴����

�ѵ��ϵ�����д������
������������Ʒչ��
�� ��

�й��˳����˺�һ�Ĵ�ͳ���ӹ����񣬾������²�ƽ�����쳤Х��ϰ�ߡ���ԭ�����ʡ��е�������⣬��ʵ�����˼��������ͥ���¶��������������д������衱�֣���ԼҲ�Ǹ�ĸ����������յ���˼��
�����ϸ����ڵ�һ����Ʒ���е����ǵ�ȷ�����ڼȶ�֪ʶ�͹����Ļ�����֮�У���������ķ�������Ҳֻ�ܽ������ڲ��������⣬���������ӵĽ��㣬����Ϊ�����ǵ��������е�������ʶ��
�������и����˶���Ȼ���ַ����˶Զ�����˺������˹�ϵ���˵����⣬����һ������Ҫ�Ƕ����������Ʒ����������Ʒ�����ǿ��Լ������⡢�ʿ��������⣬����������ȥ��ȾŰɱ�����Ѫ�ȡ��෴�����µĶ����������������ͬ���ĵ�λ��������ʹ�ij�򣬴���������Ÿ����Ƶȵȡ������Ǿ�㤡�Ť���Ķ�̬�����ǰ��ꡢ���ı��飬�����輸������ϸ�����������⴦������������֮���������ϣ������Dz�ͬ������쳣���䣬�����Ƿ�������DZˮ���Ͷ���ij�ͻ���������ó��������������ӻ������ݵĿɶ��ԣ�Ϊ�����ṩһ����ڣ��ɴ˽���Ի��汾�����ᡣ
�������Ե�ɫ�ĺڰ׽�����Ϊ��Ҫ�滭���ԣ���֮��ȥ����Ʒ������Ҳ����λ������Ⱦ�����ģ���У�Ϊ���������Э����ͳһ�������ڲ�ͬ����ζ������˵��ˮī����Ч�����������á����ֲ���ת�������ߴ�������λ֮˼�����Ӿ����ܣ�������İ��������ġ���Ũ����dz���߲�����ı仯֮�У�������ȡ���˻��ƹ��̵�ij�����ɣ�������γ�����Ȼ������������������������ٽ���������������⹹��ϵĽ��������˵���������ھ�������̽����ĥ��֮�������ɸ��˻滭���Ե������ԡ�������κ�һ��������˵�������������ض�������׽���ġ�
�ڽ��죬�˺���Ȼ�Ĺ�ϵ��ȷ�������ǡ�����̽��Ҳ�ã�����ת��Ҳ�ã����Ƕ���֪������������ĺ����Ҳ�����ǿ������̵����������ж�����������ᣬ��Ҳ�������ϸ������������ˣ����������顣�����������ͨ�����Ƶ���˵�����������棬���ǹ���Ҳ����ʽ�����ǵ��µ�Ҳ�����ڵġ��ڵ����滭�У���ʵ�������֮����������Ϊ��ԭ���Ǵ���ĵ������ͨ�����ѱ���ȥʱ�Ĺ�����ʶ��̬���������������������ʡ������Ͷ��컯���컯�ķ�ʽ���ܳ���ȥ�Σ������ڳ������ܽ�������ʱ̬���Ļ��ᄈ�����Ի滭��Ȼ�����ǻ�ʲô��������ô�������⡣���ϸ����ԣ��ѵ��ϵ�����д�����ϣ���һ���ܺõĿ��ˡ�����������޻��������ڴ���Ͽ϶���������Ӧ�����ַ�Ӧ�����ڼȶ�֪ʶ�͹����Ļ����������˵������Ծ���ʹ֮����������ʵ�����ơ���������ս������ʡ�������ƽ����������¡�
�и����ϸ�֮������д�����ϵĻ���
����

2008��2��24��
�Ĵ���Ժ�һ�ɽ��

 

Write the issue on ground in the sky
����Preface for exhibition by Fu Yuxiang
Wang Lin

The Chinese receives the tradition of harmony between man and nature; throughout history they have the habit of ��the world is uneven and howl to heaven��. ��Ask the heaven����a literature by Qu Yuan, many questions in it are actually human thing rather than Heaven. There is a character ��Xiang�� which means ��fly�� in his name Fu Yuxiang, probably is also the meaning that his parents let him yearn for the sky.

After reading a recent batch of Lao Fu��s works, I feel we are indeed living in an established knowledge construction and the cultural psychology, the significance of art can only occur within and beyond it, and the focus of internal and external connections, I think, is the question awareness of contemporary art.

Responding to the infringe that man to nature, the harm that man to the animals and the man problem in the relation between man and heaven, Fu Yuxiang has drawn a large number of works that of the main image are animals. Besides the individual work in which we can see stripped, ripped birds, he did not deliberately exaggerate to the bloody animal mutilations. On the contrary, the writing animals and people often have the same status: with wings of angel, wearing spacesuits walking on tumble cloud and so on. Regardless horror twisted dynamic, or quiet pleasant expression, Fu Yu Xiang made special treatment in almost all the details, imagine combination between people and birds, or abnormal mating between different animals, or confrontation and conflict between aircraft diving instrument and objects. It could be seen that the artist wants to increase the readability of the picture contents, provide an entrance for audience, which entered the experience of the picture its own.

Fu Yuxiang takes the major drawing language by the gradual change of monochrome black-and-white; these works are more pure and in place compared with his past works. Its fuzzy sense of wiping smudging or bleeding brought the coordination harmonization and distinctive flavor for the picture, it can be said that it is the heterogeneity use for the effect of ink infiltration. This material conversion brought audience a visual experience of "out-of thinking", it is strange and surprising. During in the shade depth mottled ambiguous changes, Fu Yuxiang obtained a certain freedom during the process of drawing, the picture is smooth and vivid because it is natural and free, it is no longer merely the results of subject association and impression combination. Or, after many years of research and experience, Fu Yu Xiang has bred his personal growth of painting language. To any one of artists this is difficult and elusive.

Today, the relationship between human and nature is indeed our doubts. Explore the universe or gene transfer, we do not know what the consequences will result. Maybe we can put into action as the Green Party did, outside society, but we may also be such as Lao Fu be sentimental, lingering in mind. Such emotional tendencies, through the rendering of drawing, diffuse the whole picture, it is not only the concept but also the form, not only present but also different. In contemporary painting area, the reason that realist art is difficult to have the achievement is that, the access from subject to the significance has been walled up by the past inertia ideologies. Art must be different, strange and further alienation to alienation, only in this way can it be kept apart from the dark, really be at presence, and enter the cultural context of present tense. So painting is not only the problem what to paint in picture but how to paint it. To Lao Fu, write the issue on ground in the sky, is a good start. No matter whether there is answer from the sky or not, people on earth would certainly have the response. This response is different from the established knowledge construction and the cultural psychology, and enlightens the initiative spirit; in the provocation, provocative and challenges between art and reality, it makes them be aware, in advance and to update.

Responding to recent works of Lao Fu, I wrote the words above as the preface.

 

February 24, 2008
Sichuan Fine Arts Institute Peach blossom hillside

������ҳ�鿴����

����

���¼������֮��

����ǰ��һ������,�Ҿ�����������ͷ��һ�Ҳ͹���ǰ˩��һֻ��ɱ����,���Ҿ���������ǰ��ʱ��,�㷢���������,�����Ľ���,�ƺ��ǽ��Ҿ���,��ʱ�Ҷ�����������������ͷ,����ʵ�ǣ�����ˮ��ɭ�ֵĶ��������ܽ�����ȥ����?�߹��ǼҲ͹�һ����������������������,���������������͵�ż�����������������IJ���������
ʱ���а����εĻþ��������������ˣ����ֳ��˶����ձ�����أ�ˮ�ֳ���Ģ����,һ��������ʱ���վ������λ���Ӱ����������˵�����Σ��������Ƕ���ʵ���������䣬ͬʱҲ�Ƕ�δ������ľ�׼Ԥ�ԡ�������Ӣ����ѧ��Э����������Ӣ����ᣬ����Ϊ��0��0�������������ͨ��������DNA�������룬���󣬺��ӵȶ���Ļ��������������ٷ�֮��㼸�����ǿ��Կ�¡һֻ��һͷ����ʵ���ҽ��ʡ��������е��л�������������ȴ���ܴ������������������ܴ�ңԶ��żȻ��һ��ë������������Ŀ�������ʵ������û��������ᄎ�������ѽ���������Ϊ�������񣬲�һֱ�����������������ԡ�
��ʵ������������ʧ����Ʈ�ƣ�ȫ�����ƶ��������붯����ξ�������ʵ�ı�Ȼ����Ȼ������Զ���ܰѹ��������Ԥֲ�����������У��������������ڴ����м����������Щ����͹��˵ĸп��������û�л�����������ɽ��ˮ��������������ϵ�д�������Ѽ�ӡ���������DZˮ�ߡ�������ơ�ˮ������ȷ�������ص��Ӿ�Ԫ�������졢����,�ڻ���ļܹ��и�������ڰ�дʵ�����Է�ʽ����չ������Ӫ�������ʵ�ĸо���,��Щ����ֲ�ϸ�ڵĿ̻������ù�����������,�������,���Ӿ������ͻأ,���������,�Դ��������ĵIJ���,ƽ�ͻ���ŵ�������
��������������IJ�������������������ع���յ㡣�������ϵ����Ʒ��һ������ֳ������������ԣ���һ����Ҳ��ͼ�����ͻ���ˮī����ˮ�����ܡ���������鳬��ʵ��ϵ����Ʒʱ����ʵ������Ʒ�౻�ִ����¾�������������Ҿ����ڳ��ĸ��������������Ǽ򵥵ظ��������������ò��������Ч�ز��뵽��������Ľ���֮�У������������������ܡ�
������һ��,����Ȼ����,���Ѿ������ֵ�����֮��,���ྫ������Ͻ��ǵ��������ڷ�����ӡ�


������
2008��2��28

����501������

������ҳ�鿴����

Baidu
map